Time for another Misfits review!
"We found ourselves holding our breath almost in expectancy, as though we might stand on the threshold of a great event, transfixed in the portentious moment of waiting, although inwardly we were perturbed since this new, awesome, orchestration of time and space which surrounded us might be only the overture to something else, to some most profoundly audacious of all these assaults against the things we had always known." ~Angela Carter
Showing posts with label Misfits. Show all posts
Showing posts with label Misfits. Show all posts
Saturday, July 16, 2011
SHOT FOR SHOT: MISFITS 1.04 review
Labels:
Misfits,
Shot for Shot,
television
Monday, July 04, 2011
SHOT FOR SHOT: MISFITS 1.03 review
Wherein we take a look at the third episode from Misfits Season One, now airing on Hulu, where you can watch for free!
Labels:
Misfits,
Shot for Shot,
television
Monday, June 27, 2011
SHOT FOR SHOT: MISFITS 1.01 & 1.02 review
Wherein we at Comics Bulletin take a look back at the first two episodes of Misfits, which is now streaming on Hulu!
Labels:
Misfits,
Shot for Shot,
television
Sunday, December 19, 2010
MISFITS 2.07 Review
And with that, we say goodbye to our Misfits until next Fall sometime. And from what I understand they're talking about extending the third season with more episodes and a variety of writers.
Which, I have to admit, I'm not very excited about.
On the one hand, I'd love to see more of our heroes, but on the other, it may spread the show out too thin. It's impossible to tell at the moment, but I'm looking forward to the new season with a touch of hesitency. Especially given how this season has wrapped.
But then again, maybe the way this season wrapped sets us up for a more extended approach next time.
We'll see, I guess. But now, Spoiler Alert!
Labels:
Misfits,
television
Saturday, December 18, 2010
MISFITS 2.06 Review
When is a finale not a finale?
When there's an extra Christmas episode later in the week, that's when.
But technically, this is the Series Two finale, and we get the wrap-up of the major storylines of the previous five episodes. Most of it is pretty entertaining, but I must confess to having narrative problems with the way everything comes together in the end.
Spoiler Shields Up!
When there's an extra Christmas episode later in the week, that's when.
But technically, this is the Series Two finale, and we get the wrap-up of the major storylines of the previous five episodes. Most of it is pretty entertaining, but I must confess to having narrative problems with the way everything comes together in the end.
Spoiler Shields Up!
Labels:
Misfits,
television
Friday, December 10, 2010
MISFITS 2.05 Review
We're moving quickly toward the season finale (and the Christmas Bonus Episode!), and visions from Curtis' little jaunt to the future are starting to occur. Last week's hanging from meathooks was the first event, and this week Simon becomes a man and we get to see what was actually happening up on the rooftop between Curtis and Nikki.
Here's a hint, it's not superheroic at all, but is pretty graphic. She wasn't kidding about not wanting to get cum on her dress.
And she's not the only one with that concern as this week; everyone is getting busy. Ironically, except for Alisha. Oh! And except for Nathan. Poor Nathan. At least he gets murdered again. What's all that about a connection between Death and Sex? I don't think I'll ever get tired of watching Nathan get murdered over and over again. Is that wrong?
But how was the episode, you ask? Put your spoiler shields on to find out!
Here's a hint, it's not superheroic at all, but is pretty graphic. She wasn't kidding about not wanting to get cum on her dress.
And she's not the only one with that concern as this week; everyone is getting busy. Ironically, except for Alisha. Oh! And except for Nathan. Poor Nathan. At least he gets murdered again. What's all that about a connection between Death and Sex? I don't think I'll ever get tired of watching Nathan get murdered over and over again. Is that wrong?
But how was the episode, you ask? Put your spoiler shields on to find out!
Labels:
Misfits,
television
Monday, December 06, 2010
WHAT LOOKS GOOD #338: MULTIMEDIA POTPOURRI
I'm at the helm for this week's What Looks Good column over at Comics Bulletin, and there are lots of interesting things to see in comics, movies, and television this time around!
Labels:
Dexter,
Fringe,
Misfits,
Supernatural,
Tower Prep,
WLG
Saturday, December 04, 2010
MISFITS 2.04 Review
Misfits, Episode 4, took a dark turn this week, but it wasn't entirely unexpected. I'm going to assume that folks have had enough time to get caught up with last week's revelation about the identity of Super Hoodie? Well, this week we get a little more exploration of his character, the dynamic between he and Alisha, and the roles these characters are going to be assuming as the series goes on.
Okay, that last bit is more speculation than anything, but I think there are clues already around that this episode kind of brought more into focus.
All that and a new member of the crew. Sort of. Two new members, really. But really, kind of just one.
More on that below the break. Spoilers Ahoy!
Okay, that last bit is more speculation than anything, but I think there are clues already around that this episode kind of brought more into focus.
All that and a new member of the crew. Sort of. Two new members, really. But really, kind of just one.
More on that below the break. Spoilers Ahoy!
Labels:
Misfits,
television
Friday, November 26, 2010
MISFITS 2.03 Review
Misfits is back for another week of wacky hi-jinks. Before we jump into that, though, I just want to say how glad I am that their viewing numbers are up and staying pretty steady. Season 2 has consistently scored a higher viewership than Season 1 did, and with a One-Hour Christmas Special on the schedule now, and word that Season 3 has already been green-lit, things are looking good for what is, without a doubt, my favorite television superhero program ever.
Yeah, I said it. Ever.
Come on. It's not like there's a huge field of contenders.
Of course, as I've mentioned before, having the short UK seasons helps to eliminate a lot of the meandering that tends to deflate enthusiasm and water down dramatic tension we see in most American productions. We're seeing a bit of a shift toward the tighter, more streamlined seasons over here, but it's pretty much entirely on the cable networks like FX, AMC, SHOWTIME, and HBO, where they're committing to 12 or 13 episode seasons and don't have the content limitations that the Big Four have (i.e. swearing, sex, violence, and all that other good stuff).
I firmly believe that this shift is a big part of what makes the best shows on television these days practically all cable dramas. With Sons of Anarchy, Justified, Terriers, Mad Men, Breaking Bad, Rubicon, The Walking Dead, Dexter, Boardwalk Empire, all working on the shorter season model, all have consistently shattered boundaries and provided solid, ground-breaking quality programming (even when there's nobody watching - sorry Terriers and Rubicon). And do I even have to mention shows like The Wire, Deadwood, and The Sopranos?
This seems to be a no-brainer.
Cut the episode numbers, focus on tightly plotted, well-written stories, and don't worry about offending people with your content and language. Is it any wonder that mainstream networks continue to pander to old people and children (or the psychological equivalents) with authority figure melodramas (cops, doctors, lawyers) and unscripted "reality" shows? There's very little imagination or creativity in the vast majority of American network television, and the viewing numbers are showing just how creatively (and perhaps morally, but that's another discussion) bankrupt they really are.
But enough of my soapbox ranting/wanking. What about this week's Misfits, you ask?
Well, it's not the strongest episode in terms of done-in-one plot, but there are huge revelations about what's going on and where it's all heading. And we find out who Super-Hoodie is.
As always, Spoilers Ahoy!
Yeah, I said it. Ever.
Come on. It's not like there's a huge field of contenders.
Of course, as I've mentioned before, having the short UK seasons helps to eliminate a lot of the meandering that tends to deflate enthusiasm and water down dramatic tension we see in most American productions. We're seeing a bit of a shift toward the tighter, more streamlined seasons over here, but it's pretty much entirely on the cable networks like FX, AMC, SHOWTIME, and HBO, where they're committing to 12 or 13 episode seasons and don't have the content limitations that the Big Four have (i.e. swearing, sex, violence, and all that other good stuff).
I firmly believe that this shift is a big part of what makes the best shows on television these days practically all cable dramas. With Sons of Anarchy, Justified, Terriers, Mad Men, Breaking Bad, Rubicon, The Walking Dead, Dexter, Boardwalk Empire, all working on the shorter season model, all have consistently shattered boundaries and provided solid, ground-breaking quality programming (even when there's nobody watching - sorry Terriers and Rubicon). And do I even have to mention shows like The Wire, Deadwood, and The Sopranos?
This seems to be a no-brainer.
Cut the episode numbers, focus on tightly plotted, well-written stories, and don't worry about offending people with your content and language. Is it any wonder that mainstream networks continue to pander to old people and children (or the psychological equivalents) with authority figure melodramas (cops, doctors, lawyers) and unscripted "reality" shows? There's very little imagination or creativity in the vast majority of American network television, and the viewing numbers are showing just how creatively (and perhaps morally, but that's another discussion) bankrupt they really are.
But enough of my soapbox ranting/wanking. What about this week's Misfits, you ask?
Well, it's not the strongest episode in terms of done-in-one plot, but there are huge revelations about what's going on and where it's all heading. And we find out who Super-Hoodie is.
As always, Spoilers Ahoy!
Labels:
Misfits,
television
Thursday, November 18, 2010
MISFITS Season 2.02 Review
It's that time again! Misfits time, that is.
So we're into the second episode, and as with the first season, the first Misfit that we spend some serious time with is Nathan (Robert Sheehan) and, as with the first season, we get to see him actually showing some emotion instead of just being a wanker. After a particularly disturbing opening sequence of Nathan stripping down from his orange jumpsuit to just his bikini briefs and slathering himself with suntan lotion, we get to the real meat of the episode (no pun intended); the arrival of the brother Nathan didn't know he had.
Jamie (Sam Keeley) came to town to meet his father for the first time, and now is wanting to meet his older brother. Of course, hitting his dad in the head with a toaster, duct taping him up, and tossing him in the boot of the car, probably wasn't the best way of introducing himself. But let's face it. Their dad is a twat.
Okay, Spoilers ahead!
So we're into the second episode, and as with the first season, the first Misfit that we spend some serious time with is Nathan (Robert Sheehan) and, as with the first season, we get to see him actually showing some emotion instead of just being a wanker. After a particularly disturbing opening sequence of Nathan stripping down from his orange jumpsuit to just his bikini briefs and slathering himself with suntan lotion, we get to the real meat of the episode (no pun intended); the arrival of the brother Nathan didn't know he had.
Jamie (Sam Keeley) came to town to meet his father for the first time, and now is wanting to meet his older brother. Of course, hitting his dad in the head with a toaster, duct taping him up, and tossing him in the boot of the car, probably wasn't the best way of introducing himself. But let's face it. Their dad is a twat.
Okay, Spoilers ahead!
Labels:
Misfits,
television
Friday, November 12, 2010
MISFITS Season 2.01 Review
I wanted to like Heroes. Really, I did.
But it was all smoke and mirrors. It was all cliches, already told stories, and extraordinarily boring characters.
And I don't even want to think about No Ordinary Family.
No. Everything I want from a superhero story was captured in the UK series Misfits.
You haven't heard of Misfits? Well, if you're on this side of the Atlantic, I can't fault you. It's a British show, airing on E4 about a group of juvenile delinquents who are out doing their community service when a mysterious storm hits. It turns out, everyone caught out in the storm gained strange powers. Not just our protagonists, but everyone who was caught in the storm.
Our "heroes" include Simon (who turns invisible), Kelly (who can read minds), Alisha (who can make people desire her by touching them), Curtis (who can turn back time), and Nathan (who, after an entire season of trying to discover what his power was, discovered he could not be killed after waking up in his coffin, six feet under). Most of them are virtually unlikable, although they all have their own distinctive charismatic charms. But best of all, they don't immediately decided to be "superheroes" or "super-villains" or super-anythings really. They just want to get their lives together and not have to keep killing their probation workers.
Spoilers Ahead!
But it was all smoke and mirrors. It was all cliches, already told stories, and extraordinarily boring characters.
And I don't even want to think about No Ordinary Family.
No. Everything I want from a superhero story was captured in the UK series Misfits.
You haven't heard of Misfits? Well, if you're on this side of the Atlantic, I can't fault you. It's a British show, airing on E4 about a group of juvenile delinquents who are out doing their community service when a mysterious storm hits. It turns out, everyone caught out in the storm gained strange powers. Not just our protagonists, but everyone who was caught in the storm.
Our "heroes" include Simon (who turns invisible), Kelly (who can read minds), Alisha (who can make people desire her by touching them), Curtis (who can turn back time), and Nathan (who, after an entire season of trying to discover what his power was, discovered he could not be killed after waking up in his coffin, six feet under). Most of them are virtually unlikable, although they all have their own distinctive charismatic charms. But best of all, they don't immediately decided to be "superheroes" or "super-villains" or super-anythings really. They just want to get their lives together and not have to keep killing their probation workers.
Spoilers Ahead!
Labels:
Misfits,
television
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